|
|
 |
Past
Events:
July 28, 2001 |
| Programme:
|
Talking
Drums |
| Performer:
|
Anita
Ratnam, Chennai |
| Venue:
|
P.S.G.
Institute of Medical Sciences Auditorium, Coimbatore. |
| Duration:
|
75
minutes. |
| Highlights
: The
most important short dance pieces were |
|
"Framework"
-
an all rhythm and melody piece
sans music. Dancers had to create their own music
by clapping their hands or stamping the ground,
rhythmically.
|
| "Episodes"
- dance movements set to music
in a ten-beat scale. |
| "Thadai
Podathey" - a
flowing dance set to a ghazal sung by P.B. Srinivas. |
| "Gajaanana"
- a dance drama version of the
Puranic story of Lord Ganesha. |
|
|
| About
Anita Ratnam : |
|
Anita
Ratnam is one of India's most respected classical
dancers. She also functions as a choreographer, cultural
commentator, actor-producer, writer and publisher. With
a strong background in the classical arts of Bharatanatyam,
Mohiniattam & Kathakali, she did her Masters Degree
in Theatre & Television at the University of New
Orleans.
Having worked as a
TV ambassador for India for a decade, she returned to
her roots in India, Chennai. She is the Founder-Director
of the Arangham Trust.
|
 |
|
| Response:
|
 |
This was the first performance that
The G.V. Centre for Performing Arts conducted. The public
support was very high, considering this was the Trust's
maiden venture. People from Tirupur had come to attend
the performance. Anita Ratnam commented that the biggest
compliment that she had received on this programme was
the presence of the public in large numbers.
|
|
| Press
Review: |
|
"Coimbatore
had been waiting far too long for a cultural event like this
one. It was an auspicious beginning for G.V. Centre, blessed
by Lord Ganesha, the God of Good Things."
- The Hindu.
|
|
"..the
organiser, The G.V. Centre for Performing Arts, also had a
share of glory for the efficient manner in which it staged
the show. Considering that it was the trust's maiden venture,
it was quite an achievement… With such commitment, the
trust is destined for higher laurels."
- The
New Indian Express.
|
 |
| Top |
| November
3, 2001. |
| Programme:
|
Navanritya
- Aranya Amrita & Parama Prakriti |
| Performer:
|
Dancers
Guild, Kolkota. |
| Venue:
|
P.S.G.
Institute of Medical Sciences Auditorium, Coimbatore. |
| Duration:
|
90
minutes. |
| Highlights
: |
| The
performance consisted of two dances, Aranya Amrita
and Parama Prakriti. |
|
Aranya
Amrita is a dance drama inspired by the legend
of Amrita, a Bishnoi woman. The Bishnois were
a community of people who lived by a twenty-nine-rule
code that called for living in harmony with nature.
They lived in a cluster of lush green forests amidst
the barren land of Rajasthan. The king of Jodhpur
wanted to build a new palace. The woodcutters
sent by the king started cutting down the trees.
On learning this, Amrita and the other Bishnois
embraced the trees to prevent them from being
cut. But it was in vain. The king's woodcutters
mercilessly chopped down the Bishnois and carried
away the wood. The performance ends with a small
Bishnoi planting a tree and saying a prayer for
the tree.
|
|
Parama
Prakriti is an abstract depicting the motion and
the rhythm of the universe. The theme was conveyed
through a sequence of dance units - unique in
character, but all contributing to the essence
of the cosmic drama. The storyline that was taken
up for the portrayal of the theme was the eternal
union of Shiva and Shakthi, "the masculine
and feminine energies at the time of Creation,
Preservation and Destruction".
|
|
|
|
|
About
The Dancers' Guild:
Formed in 1983 by Artistic Director, Dr. Manjusri Chaki-Sircar,
Dancers' Guild's primary objective has been to evolve
a contemporary dance language.
|
 |
|
Since
its inception, the performing company has received national
and international recognitions for productions exploring
social oppression, ecological destruction, images of
women, and other themes, both narrative and abstract.
|
|
| Response:
|
|
As in the previous
programme, the art lovers of Coimbatore did not disappoint
the organisers. The crowd support was overwhelming
and the audience encouraged the performers to their fullest
extent.
|
| Press
Review: |
|
"Keeping
their promise of providing quality art performances round-the-year,
The G.V. Centre for Performing Arts has come up with it."
-
The Hindu.
|
|
"The
trustees of The G.V. Centre for Performing Arts on the trust's
formation had said that the trust would be associated with
quality in performing arts in Coimbatore - in whatever programmes
and performances that it organised… and keeping with
its promise, it organised Navanritya"
- The New Indian
Express.
|
|
|
| Top |
| March
10, 2002. |
| Programme:
|
Bharatham
- Bhavam, Ragam and Talam. |
| Performers:
|
Vikku
Vinayakaram, Shobana, Selvaganesh |
| Venue:
|
P.S.G.
Institute of Medical Sciences Auditorium, Coimbatore. |
| Duration:
|
90
minutes. |
| Highlights
: |
| A
unique evening of rhythm and dance featuring three great
artistes and their talented accompanists. |
|
Bharatham began with
a composition by Ganesh Kumaresh, rendered
wonderfully in Raaga Maalika. A bhajan followed.
An exquisite performance solo on 'mridangam'
by Ramakrishnan, acted as a precursor of
what was to come on later in the evening.
|
|
Shobana and her troupe
took control of the audience with their
performance of 'Astapathi',
a story written by Jayadeva. The story was
about a 'sakhi' trying to patch up the dispute
between Krishna and Radha by explaining
about the beauty of nature.
|
|
The best part was yet
to come. 'Thalatta' was based upon a mother
trying to put her child to sleep. The child
wants to hear a story. After many story
themes, the mother tells the child the story
of Rama, from his birth up to his marriage
with Sita. The entire performance was a
treat to watch. There were many scenes where
Shobana excelled with her delightful performances.
|
|
It was time for Shobhana
to give way for Selva Ganesh.His wizardry
with the 'kanjira'
was evident when he brought the sounds of
a running train,drums and a bass guitar
onstage. Following a short break,Vikku Vinayakaram
joined the others on the stage. He then
showed why he deserved the Grammy,with a
display of exquisite dexterity over the
instrument with a solo performance. The
three maestros combined to give the audience
a night to remember with a 'sawal
jawab' with the percussions.
|
| About
Vikku Vinayakaram : |
|
One of India's finest
ghatam (a large clay pot percussion instrument)
players, studied with his father, Harihara
Sharma. He has accompanied nearly all the
leading South Indian musicians and vocalists
like Semmangudi Srinivasa Iyer, MS Subbulakshmi,
Balamurali Krishna, Bhimsen Joshi, Hariprasad
Chaurasia and VG Jog.
|
 |
|
In 1991 Vinayakram became
the first South Indian artist to ever receive
a Grammy Award for Best World Music Album
for his participation in Mickey Hart's "Planet
Drum" in which he played
the ghatam.
|
| About
Kumari Shobana : |
 |
Born into a family
of dancers committed to the arts,
Shobana
is the niece of the legendary classical
dancers - Travancore Sisters - Lalitha,
Padmini and Ragini. It is only natural
that Shobana followed in their footsteps
starting her training in Bharatanatyam
at a very early age.
|
| As
a Bharatanatyam dancer Shobana is known
for her fine dedication of this classical
art form. She is particularly known
for her abhinaya, clarity of line and
strong rhythmic command of the idiom.
|
|
Shobana who is
presently teaching Bharatanatyam in
Madras has distinguished herself over
the years in the field of films as
a noted actress. She won the National
Award for best actress of the year
1994.
|
|
| About
V.Selva Ganesh : |
 |
|
Unlike his father, Vikku
Vinayakram, Selvaganesh's chosen instrument
is the khanjira - the South Indian version
of the tambourine. What more can be said,
'Like father like son'. Hailed as one of
the upcoming stars on the indian classical
horizon.
|
| About
N. Ramakrishnan : |
|
Learnt the art of mridangam
playing initially from his uncles, Ghatam
Maestros T.H. Vinayakram and T.H. Subashchandran.
Ramakrishnan is a very well established
mridangam artiste. He has travelled abroad
extensively as a solo performer and also as an accompanying artiste.
|
| Response
: |
|
The crowd was absolutely
enthralled with the programme from the beginning
to the end. Selva Ganesh's perfomance on
the Kanjira evoked a very participative
response from the audience.
|
| Press
Review : |
|
"Getting
together on a single stage individual performers
who were pioneers in their own right was
a difficult task, but it was an expression
of the dedication to art that brought them
together."
- The
Hindu.
|
|
"If
you had any doubts about music being divine,
then you had to be at the PSGIMS auditorium
last Sunday."-
The
New Indian Express.
|
|
|
|
|
| Top |
|
July 27 2002. |
| Programme:
|
Squabbles
|
| Performers:
|
The
Madras Players |
| Venue:
|
Kasthuri
Sreenivasan Art Gallery Auditorium |
| Duration:
|
120
minutes. |
| Highlights
: |
|
The play, written by Marshall Karp,
tells the story of a happy couple, whose in-laws are at
odds at all times, and the problems faced by the couple
due to this feud between their in-laws. |
|
Jerry and his
wife Alice are a happy loving couple.
But their respective in-laws (Jerry's
mother Mildred and Alice 's father
Abe) have never been able to stand
each other. The last time they had
met each other was at Jerry and Alice's
wedding, when Mildred attacked Abe
with a cake-knife! |
 |
|
|
Now Alice is expecting
a baby. The time has come to decide
who will be moving out of the guest
room once the baby arrives. Will it
be Mildred or will it be Abe? Meanwhile,
when the couple were away at the hospital,
the in-laws do behave and go steps
ahead of being just civil and fall
in love with each other. |
 |
| By
the time the couple are back with the
baby, Mildred and Abe have almost decided
to move out together. |
|
| About
Madras Players: |
|
The Madras Players came
into existence in the fifties, formed from
a group of young people, mostly students,
who constituted the British Council Play
reading group. They have presented a wide
range of plays, comedies and tragedies,
classic and modern drama, thrillers and
experimental theatre and plays for children.
|
| Response
: |
|
Unsure about how Coimbatore
audience might receive a stage comedy about
in-law confrontation in a U.S setting, the
organisers chose a smaller auditorium and
kept their fingers crossed. Their fears
were short-lived for there was many who
turned up to watch, listen, laugh and applaud.
|
| Press
Review : |
|
"It
was one more feather in the cap for G. V.
Centre for Performing Arts, who did the
spadework for the show at the Kasthuri Sreenivasan
Art Gallery Auditorium." "
- The
Hindu. |
|
"....the
show did attract some crowd. And the play,
with all its 'playfulness' was fun watching
and worth an evening"-
The
New Indian Express. |
| Top |
| |
| 7th
Dec 2002 |
| Programme:
|
Oe-ko-taan |
| Venue:
|
PSG
IMS Auditorium, Peelamedu, Coimbatore |
| Time
: |
6.30pm |
| Line
up: |
|
| Bonnie
Chakraborty : |
Vocals
and Percussion |
| Keith
Peters : |
Bass
Guitar |
| Donan
Murray : |
Guitar
and backing vocals |
| K.
V. Balakrishnan : |
Tabla,
Dhol, Kanjira, Dondia &
Khol
and others |
|
Oikyotaan,
a contemporary folk band,
aims to involve folk and
contemporary music styles,
wherein both forms complement
each other, while mainlining
the essential sound elements
and aesthetics of their
original style. Oikyotaan
experiments by using equally
unique components from both
forms by attaching them
in an interesting set of
arrangements.
|
 |
|
|
Oikyotaan
comprises a bass, a full percussion
ensemble, guitar, and vocals.
Two other guest performers in
the form of a sarangi, an additional
percussion, a violinist and
accordion join them in their
performances
|
|
Oikyotaan
aims to interpret varied folk
sons with a new ensemble of
sounds and textures. The group
wants to keep the format untouched,
while changing the spectrum
of the music and also painting
it in a new way. |
|
|
| Aug
2, 2003 |
| Programme:
|
Funny
Money |
| Performer:
|
MTC
Productions, Chennai |
| Venue:
|
PSG
IMS Auditorium, Peelamedu, Coimbatore |
| Duration: |
2
Hours |
| Highlights |
|
Funny
Money is a laugh-a-minute comedy
about Henry Perkins who by mistake
picks up somebody else's briefcase
and finds seven hundred and
thirty five thousand pounds
in used currency notes. In his
excitement, he goes to a pub,
after several visits to the
gent's toilet to count it, puts
two and two together that the
|
 |
|
money
is for some illegal transaction,
and will never be reported to
the police. He returns home
and tries to persuade his wife
Jean that they should leave
the country for Spain before
the "nasty" owner
of the money tracks them…
On the visit to Coimbatore
to stage Ray Cooney's humorous |
 |
|
play
'Funny Money', the play's director
Mithran Devasenan spoke to the
Hindu on theatre and social
service. |
| He
said,"Tamil theatre has
died because of lack of patronage.
Even corporate sponsorship is
not available. In mumbai, corporate
entities, including advertising
companies, invest money in theatre." |
 |
|
|
| |
|
|
|
|
| Top |
| Date:
|
Saturday
August 23, 2003 |
| Programme:
|
“A
JOURNEY THROUGH INDIA”
Kuchipudi Dance/Drama |
| Performers
: |
Ms.VYJAYANTHI
KASHI & HER SHAMBHAVI SCHOOL OF DANCE |
| Venue
: |
NANI
PALKHIWALA AUDITORIUM |
| Duration
: |
Approx.
2 hours. |
|
|
| HIGH
LIGHTS : |
|
The
programme was not a traditional kuchipudi. It was a contemporary
performance with the classical art form of Andhra Pradesh
used to convey the mystical themes in ancient Indian texts.
|
| |
| The
programme began with an invocation to the gods and goddesses.
Kashi and her students danced paying obeisance to the verses
of Lord Ganesh, Goddes Saraswathi, Guru and other deities.
Then they performed a piece saluting to the ten directions.
|
| |
A
group of Shambhavi School then took up a Pandit Ravi Shankar
composition and staged the contents and essence of yoga and
mediation through the mode of dance. A dance number set to
Raga Hamsadhwani and Talam Aadi followed this. |
| |
The
highlight was a performance that gave life to the concept
of “creation”. The dancers showed how the five
elements of nature or panchabhutas constitute earth and how
from the joint effort these elements sprout life on earth. |
|
The
item that ended on a exciting note with a salutation to Kalam
(Time) was a good mix of nritta & natya. The item was
then followed by a theme based on Independence and one on
Rani Lakshmibai of Jhansi. |
| |
| About
Ms.VYJAYANTHI KASHI |
| |
 |
RECIPIENT
OF KALA SHREE AWARD - 2002 SANGEETH NATAK ACAMEDY. |
|
OUTSTANDING
ARTIST OF DOORDARSHAN. |
|
PRESTIGIOUS
INDIAN GOVT. FELLOWSHIP FOR RESEARCH IN KUCHIPUDI. |
|
OUTSTANDING
ARTIST OF ICCR. |
|
MEMBER
OF KUCHUPUDI TEXT BOOK COMMITTEE. |
|
ARYA
BHATTA AWARD. |
|
VOCATIONAL
EXCELLENT AWARD. |
|
CONDUCTED
WORKSHOPS, LECTURE-CUM-DEMONSTRATIONS. |
|
| |
| RESPONSE |
| |
The
response for the programme was excellent. The auditorium was
almost packed and the audience stayed till end and applauded
whole heartedly. Students attendance was also substantial
for the programme. |
| |
| PRESS
COVERAGE |
| |
Covered
widely by Tamil and English dailies. First page photo coverage
by Malai Malar, colour photograph in The Hindu & Dinamalar. |
| |
“A
good mix of nritta and natya “ - The clarity in the
text, composition and choreograplhy hinted that the research
behind this piece must have been ‘quite a task’.
Kashi and her team of researchers deserve a big hand for the
work. |
| |
| By
The New Indian Express - dated 27.8.2003 |
| |
| “Dancing
for a noble cause” |
| |
“The
wonderful dance presentation “A Journey through India”
by Vyjayanthi Kashi and the students of her Shambavi School
of Dance, under the auspices of the G.V.Centre for Performing
Arts will remain an unforgettable experience for lovers of
fine arts.” |
| |
“Her
portrayal of mantras, which included the Gayathri mantra,
clearly brought out their meaning to the discerning spectators.
The choreography was very original, and the music highly effective.
In the final presentation ‘Jhasnsi Ki Rani’ Vyjayanthi
Kashi displayed great force and involvement in her acting.
The last words of Rani Laxmi Bai “Bharat Ko Bachao”
were ringing in the ears of the spectators. “ |
| |
| By
The Hindu - dated 5.9.2003 |
| |
 |
 |
| |
 |
| |
| |
| |
| November
2003 |
| Programme:
|
Jazz
Fusion Concert |
| Date:
|
November
2, Sunday - 7:00 pm |
| Performers:
|
Amit
Heri & Group, Bangalore |
| Duration:
|
Approx.
2 hours. |
| Venue: |
PSG
IMS Auditorium, PSG Hospital Campus, Coimbatore |
| |
| HIGH
LIGHTS: |
The
program was excellent with sophisticated sound &light
arrangements. The line up included guitar, bass
guitar, flute, drums & percussion and vocal.
The program started with "Left Turn" in
Kalyani, followed by "Synergy" and then
"Where Ah Yah Goin" in Karaharapriya raga.
The fourth item was "Fast Train Home"
in Jog raga, Peace Song in Hamsadhwani was the next
and then Ushas. "Jagado dharana" in Sindhu
Bhairavi was very sweet and absolutely rhythmic.
The program concluded with "India Funk"
in Abhogi
rag.The
combination of melodious vocals, great rhythm, sound
& light arrangements made the program an event
to remember. |
| About
Amit Heri |
One
of the few Indian musicians to perform at major
International music festivals. (Berlin Jazz Festival,
Montreux Jazz Festival, London Jazz Festival,
Paris Jazz Festival, Rome World Music Festival,
WOMAD Festival
and many more.)
Performed with various internationally known artists.
Studied on a scholarship at the world-renowned
Berklee College of Music, U.S.A. |
| RESPONSE |
The
response for the program was excellent. The auditorium
was full with a very receptive audience, including
many who were exposed to jazz for the first time,
who applauded for every song and for the excellent
percussion & guitar play. |
| PRESS
COVERAGE |
Covered
with photographs in Daily Thanthi, Malai Murasu,
Dinaboomi, Makkal Kural and news coverage in The
Hindu, Dhina Malar, Malayala Manorama, and Mathrubhoomi,
Program was well appreciated by the newspapers. |
|
|
| |
|
| December
2003 |
| Programme: |
"
CHILLS & CHUCKLES "
A 'Menage-a-trois' of three short plays |
| Date: |
December
6, Saturday - 7:00 pm |
| Venue: |
The
Residency, Avinashi Road, Coimbatore |
| Performers
: |
MASQUERADE, Chennai. |
| Directed
by : |
Gopi
Nair |
| Lights/
Sound : |
Music Junction |
| |
|
 |
| First
Half - Chills |
| "Incident
at Twilight" by Friedrich Duerrenmatt -a crime
thriller |
| |
| Synopsis
: Fear god Hofer, a retired small town
accountant has found some interesting facts about
the Nobel prize winning drmatist, crime fiction
writer & caricaturist Maxmillian Friedrich Korbes...
Mr. Hofer also happens to be a ardent fan of Korbes
writings. Their meeting turns suddenly int a cat
and mouse thriller that will see one of the two
outlasting the other in a verbal duel unto death
! |
| |
| Cast
: |
Maxmillian
Friedrich Korbes -
Shankar Sundaram
Hotel Manager - Parthasarathy
PR
Feargod Hofer - Ejji K Umamahesh
Young woman - Rahel
Sebastian - Mukund V
Woman - Meena |
|
| |
| Second
Half - Chuckles |
| "Arabian
Nights" by David Ives |
| |
| Utterly
normal Norman walks into utterly ordinary Flora's shop
looking for a souvenir of his travels and together they
find whirlwind romance, spurred on by a wacky translator.
The play is a humorous dig at the art of interpretation
as well as an exploration of communication, miscommunication
and the magic of language. |
| |
| Cast: |
Norman
- Mukund V
Flora - Mallika Sen
Interpreter - Krishna Kumar |
| |
| "The
Philadelphia" by Davis Ives |
| |
| Synopsis
: "The Philadelphia" presents a young
man in a restauran who has fallen into a Philadelphia,
a twiglight zone like state in which he cannot get anything
he asks for. His only way out of the dilemma? To ask for
the opposite of what he wants |
| |
| Cast: |
Allen
Chase - Krupasagar Sridharan
Waitress - Aruna Ganeshram
Marcus - Karthik Srinivasan |
| |
| |
|
| The
Sound of Silence |
| |
 |
 |
| |
|
 |
| |
| |
| The
Sound of Silence |
| |
| Madhu
Gopinath and Vakkom Sajeev, Directors and Choreographers
of Samudra Performing Arts, are leading figures in the
field of contemporary Indian dance and music. Madhu and
Sajeev are trained in various classical dance and martial
arts. They express their creativity through innovative
items that go beyond the boundaries of tradition seeking
a powerful contemporary yet unique Indian idiom of dance.
They
choreographed “THE SOUND OF SILENCE”, a
recent work, is an innovative and original dialogue
between movement and sound, body and soul and tradition
and modernity. The dancers and musicians of Samudra
explore through ‘the Mother’, the contradictions
and sensuality of life force that governs us all. The
various stages of the ‘Life Chakra’ or the
Wheel of Life namely, Rebirth, Mother, Sensuality, Universal
Rhythm and Power, Earth and its creatures, Trance and
Soul are revealed by the dancers and musicians in various
sections.
THE
SOUND OF SILENCE is well acclaimed in both India and
abroad. They have performed in renowned festivals like
Uday Shankar Dance Festival, Manipur Dance Festival
and Jammu Kashmir Dance Festival organized by the Sangeeth
Natak Akademi, New Delhi. They have also performed in
the Chaali project organized by the IFA.
At
the international level, they have performed at the
Royal Opera House, London. The major festivals, which
they have participated, include India Festivals in France,
Spain and Portugal. The Spoleto Festival in Italy. They
have also collaborated with the Fracus Dance Company,
France. Recently they have choreographed ad performed
in an Indo-French Opera project named ‘The Fakir
of Benares’ which was staged in New Delhi and
Mumbai.
|
|
| July
28, 2004 |
| Programme:
|
"NEIL
SIMON ACT II" |
| Performer:
|
MASQUERADE,
Chennai. |
| Venue:
|
PSG
Auditorium, Coimbatore. |
| Duration:
|
2
hours. |
| Directed
by: |
Krishna
Kumar |
| Lights/Sound:
|
Music Junction |
Highlights
: Written
by the American playwright Neil Simon, Chapter
2 is a highly robust laf - a - minute comedy with
something for everybody. Chapter 2 is the story
of 4 characters. George, a writer trying to recover
from the death of his wife, Jennifer, recently
divorced cute-as-they-come soap actress Leo, brother
to George, a theatre artist and a lady 's man,
and Faye, friend of Jennifer. Leo and Faye try
to set up George with Jennie, While they try to
complete affair they had started earlier. The
Central character is the telephone which gives
rise to mistaken identifies and accidental situations
leading to a reverting Neil Simon Comedy with
a dash of melodrama promising evening laugh-aches.
This is an all time entertainment |
| |
|
About Masquerade :Masquerade
is a Performance grouped based in Chennai. It
was founded by 6 artists from visual, performing
and other media with view to provide the audience
a wholesome entertainment package. The members
of the group have had wide international groups
and national experience in theatre and performing
arts combining this by working with touring international
groups and artistes. Masquerade has over 40 productions
and 120 performances to its credit, and has launched
many a new talent in Chennai. |
| |
|
Press Review : "Chapter
2 Proved to be quite an unmasking experience with
a difference thanks to an excellent presentations.
What was appealing about the group as the way
they kept the spirit of comedy alive and audiences
on their toes credit goes to director Krishna
Kumar for his thorough analysis of the script.."
News today
"The Comedies of Masquerade are full of intelligent
gaps and explore our attempts to successfully
communicate in our search for Company, Companionship,
Friendship, love and understanding." -The
Hindu. |
|
|
September
4, 2004. |
| Programme:
|
"Rhythmscape” |
| Performer:
|
Bikram
Ghosh & Team, Kolkata. |
| Venue:
|
Rajasthani
Sangh, |
| Time:
|
7pm. |
| Highlights
: This
unique rhythm driven project showcases the compositional
skills of brilliant percussionist, Bikram Ghosh.
What makes Rhythmscape unique is that it stretches
beyond rhythm in its reach and achieves a melodic
soulfulness and character that sets it apart from
the superficiality of most efforts in the realm
of fusion. "Rhythmscape" has brought
a unique dimension to the genre of fusion music.
The album "Rhythmscape" is currently
on the top of the charts.
< | | | | |
